“Imagine an adventure game quest with Yoko Ono as your guide, or Laurie Anderson doing her best David Attenborough impression: a deep, joyful abstraction that draws to a pure, human conclusion.” – Pitchfork

“A noteworthy debut that’s ahead of its time.” – Consequence of Sound (on Gone Banana)

“Her pensive reverbed whispers create a dreamy landscape that listeners have difficulty escaping. In it, they find tranquility.” – Interview

“‘192014’ swarms with that cosmic curiosity. Its disembodied saxophones are straight out of the Black Lodge by way of Bowie’s Blackstar, weaving a jaunty path through an inviting yet disquieting haze.” – Pitchfork

“A jazzy experimental rock track – spacious, warm, and eerie, with brass, guitar, and vocal melodies weaving in the ether.” – Stereogum

“A soothsaying Laura Marling or a spacey Nico… “Fwee” makes literal Birgy’s observation that ‘Fweedom is certainly useful / Pouring love in a musical being.’ The song cracks open, allowing backmasked slivers of guitar and wriggling solos to flood out – a new tributary finding its path.” – NPR

“Clean and percussive, with undertones of experimental jazz.” – Rookie